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About World Opera Lab

Opera between cultures

“Transhistorical, peaceful, joyous, celebratory, deeply moving performing art.“

World Opera Lab creates innovative opera’s that bridge cultural differences and reflect on contemporary issues in poetic ways. The opera repertoire is the beating heart of energetic performances where myths, music and dance from different cultures and artistic disciplines meet.

WOL performs in unique locations: from the Azadi Tower in Tehran to Mercatorplein in Amsterdam West, from the rainforest of Indonesia to Rotterdam's Afrikaanderwijk, from the lagoon communities in Lagos to the Holland Festival. WOL's performances are praised for their energy, the connecting quality and the diversity on stage and in the audience. World Opera Lab's opera's are co-created in special collaborations; musicians and singers work together with activists, community leaders, local residents, academics, religious leaders and guardians of cultural heritage. WOL's work is inspired by long-term research into traditional musical theater practices from Tibet, Japan, Guatemala, Mexico, India, West Africa, Iraq and Iran.

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What we believe in

Opera is powerful art-form that can connect cultures. The combination of song, dance, music and stories is universal and has ancient roots. The earliest forms of theater, worldwide, resemble opera rather than today's text-theater. These age-old roots can still be found in the opera repertoire. 

Many stories in the opera repertoire have a mythological origin, with archetypes and themes that are found across the globe. The journey to the underworld, as in Orfeo, can be found in many cultures. In the Middle East, this journey was a symbol of the harvest and renewal of nature, like Inanna's journey to the underworld. By connecting these ancient stories, new perspectives emerge. 

Many of the beloved classical operas are set outside Europe; in the Middle East and Asia. 'The Pearl Fishers' is set in Sri Lanka and 'Die Zauberflöte' is based on Persian spirituality. Wagner was inspired by Indian and Persian philosophy for his masterpiece 'Der Ring'. In World Opera Lab productions, these influences on the opera canon are highlighted and the canon is placed in a global perspective.

The artistic dialogue is the heart of the work. WOL's productions are performed by musicians and singers from different artistic traditions. In addition, composers create new scores and weave musical cultures into their work in interesting ways. The interweaving of styles is not limited to text and music, it is also implemented in the staging, movement styles and design.

An important distinguishing element in the work of World Opera Lab is the use of the same working methodology in different projects. This supports the creative and equal dialogue between artistic traditions. Through the consistent use of a methodology, the insights from the different productions can be compared with each other. This provides insight into developments in cross-cultural relationships over a longer period of time and insights can be taken into future productions. The methodology also provides a basis for collaborations with communities and activists. Cultural representation is essential in the work of World Opera Lab. Singers and musicians contribute material for performances. 

The preservation of cultural heritage is essential to the work of World Opera Lab. The productions can play an important role in protecting traditional forms of musical drama. 

By reconstructing the opera repertoire from a global perspective, new stories and new insights emerge. 


Contact us

1640261537492 Miranda Lakerveld

Artistic director
miranda@worldoperalab.com

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Funding

ciska@worldoperalab.com

Rijk Marijke De Schepper

Producer international
info@worldoperalab.com

Sylva van Rosse Sylva van Rosse

Outreach Middle East
info@worldoperalab.com

Salman Salman Khairalla

Water project Iraq
info@worldoperalab.com

Laura Laura Ghobrial

Communications
info@worldoperalab.com

Our artists

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Collaboration are at the heart of the work of World Opera Lab. WOL works with a core of artists, musicians, singers and dancers in different fomations; with artistic director Miranda Lakerveld, Iranian artist Siavash Naghshbandi, oud player Haytham Safia, clarinetist and storyteller Vincent Martig, singer and saz player Shwan Sulaiman, dancer and singer Vanessa Felter, percussionist Osama Mileegi, violinist Emmy Storms, sitar player and singer Chetna Sahni Sehgal, cellist Tara Kumar, organist Wim Dijkstra, Winti-priestess Marian Markelo, baritone Sinan Vural, soprano Madeline Saputra, mezzo-soprano Itzel Medecigo,Winti priestess Marian Markelo and soprano Sabra al Bahri Khatri. WOL creates international productions with new music ensembles such as Balaan Tumaan ensemble in Indonesia and Sanjat ensemble in Iraq. 

Our founder

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Stage-director and librettist Miranda Lakerveld makes opera’s that bridge cultural differences and reflect on contemporary issues in poetic ways. She is the founder and artistic director of World Opera Lab. To support her creative work she has done extensive research in traditional music and drama practices from India, Indonesia, Iran, Mexico, Japan, Guatemala and Tibet.

Important works include Orfeo in India an adaptation of Monteverdi’s opera with Indian and European musicians in Ahmedabad, The Inner Landscape about Sichuan Opera, Il ritorno d’Ulisse in patria, with communities in Amsterdam-west, Majnun & Leyla fusing music and performance practices from India, Iran, Morocco and Turkey, a series of debate-opera’s with De Balie in Amsterdam on conflicts in the Middle East, Temple of Time an interreligious ceremony with gamelan-installation with composer Sinta Wullur, Turan Dokht a Persian adaptation of Puccini’s Turandot with Iranian composer Aftab Darvishi, and Ine Aya’ – Voice from a fading forest, with Kalimantan composer Yadi Nursalim Anugerah, which had its premiere at the Holland Festival. Miranda is a fellow of the International Society of Performing Arts and has been an advisor at several Dutch arts foundations, and is currently an advisor at the Dutch National Arts Council.